"I began my activities in 1985 by creating a book of verbal experimental poems entitled "Kit Selections" two years later I released "110/220V," which was in the same experimental vein, but more radical, that is, with the use of graphic signs, numbers and optophonetic resources. Parallel to these productions, my preoccupations turned to the interactive potential of other art expressions, in the 1980s and 1990s developing cross disciplinary works of visual poetry, object poems, both in bi- and tri-dimensional forms, as well as live performances, site-specific pieces and other products that I'd rather consider miscellaneous. Following in a work-in-progress way, my production went into artist's books, book objects and sound poetry, where the use of verbivocovisual supports were fully present. The result was: "Biology of a Mineroeslav" (1991), "Graphemes" (1992), both figuring in the collection of "Printed Matter Bookstore at Dia - NYC," "Final Biscuit" (1992), "Alternative Current" (1993) and others exhibited at a show of artist's books at the XXIII Venice Biennial (1993), among others."